Overview of Pessimism in Tess of the d’Urbervilles |
According
to Oxford Advanced Learner’s Dictionary,
pessimism refers to a “feeling that bad things will happen or that something
will not be successful” (1129). A pessimistic worldview implies that the worst
will happen or that evil will ultimately prevail over goodness. Following are
some of the instances in Tess of the d’Urbervilles that reinforce a
pessimistic worldview.
a) The root cause of Hardy’s pessimism was the absence of
a divine order. This harmonious order is also absent in Tess of the d’Urbervilles.
Brennecke claims that Hardy “cannot reconcile
the idea of an omnipotent and merciful Deity with the human sufferings that he
witnesses daily” (79). The world portrayed in Tess of the d’Urbervilles comes across as a hostile world bereft of a compassionate
God. In the absence of a benevolent God, human suffering seems
meaningless. Moreover, the absence of God makes the possibility of retribution
seem like a myth. Consequently, human beings have no reason to hope for an
optimistic outcome. This viewpoint is highlighted throughout the novel. For instance,
after Tess discloses her past to Angel, he utters the following verse to
express the “anguish of his heart”
God’s
not in his heaven –
All’s
wrong with the world! (Hardy 272). These
lines are a variation of the verses featured in Robert Browning’s poem
entitled, “Pippa Passes”.
b) The presence of an uncaring universe or a cosmological order that does not sympathize with the tragic predicament of humanity is
another factor that contributes to the pessimistic streak of the novel. This notion
of human vulnerability and alienation amidst an uncaring universe is reflected
in the following song chimed by Tess and her siblings during their last night
at their home in Marlott:
“Here
we suffer grief and pain,
Here we meet to part again;
In
Heaven we part no more (Hardy 377)
c) c) Pessimism also implies that sorrow and tragedy will
always outweigh happiness. This aspect of pessimism is evident in Tess of the
d’Urbervilles as well since throughout the novel, moments of happiness,
serenity and contentment are short-lived. This viewpoint is highlighted by Tess
prior to her getting arrested when she says: “it is as it should be…Angel, I am
almost glad – yes, glad! This happiness could not have lasted. It was too
much!” (Hardy 417).
d) d) The prevailing notion at the end of the novel is
not that humanity will prevail but rather that death brings an end to human suffering.
This dismal perspective also reinforces the pessimistic tone of the novel. Tess’s
tragic plight only comes to an end through her execution. This notion of death
as a promising escape to a torturous life is perhaps best conveyed through the
pitiable death of Sorrow that is described as “the hour of emancipation for
that little prisoner of flesh” (Hardy 108).
e) e) A vision of bleakness and heartache permeates Tess
of the d’Urbervilles – even at the end. The final image is not one of salvation
or happiness but of bleak, unmitigated suffering which is highlighted through the
“pale faces” and “bowed heads” of Angel and Liza-Lu as they walk together and
the “grief of sun’s rays” smile “on pitilessly” (Hardy 418). The most pessimistic aspect of the novel is the absence of divine compensation or poetic
justice. Tess inhabits a society in which malevolent people like Alec are
allowed to prolong their conniving schemes while the vulnerable individuals
like her are forced to pay a price for their transgressions. Despite Tess’s
tragic death, the chaotic, unjust force of life moves on, and according to
Shires, “The last chapter offers no catharsis . . .” (158).
Credit goes to Ma'am Saima Najib
.
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